Jaimie-Lee Wise
UMA
When his daughter is stricken by a forbidden virus, a visionary who builds virtual worlds defies a secret cabal to find a cure—only to collide with Uma, an anomaly from the simulations whose existence could unravel reality as an alien fleet nears Earth.
Acid @ Sage
After becoming host to an alien anti-malware, a grieving tech entrepreneur must outwit body-snatching crimeware and ruthless corporations before Earth is ransomed to the creator of StarNet—the intergalactic web linking advanced civilizations.
Two Shadows
When victory means fighting injustice in a world on the brink of civil war, an identity-fluid Comanche and an eloquent sharpshooter face a brutal storm of Rangers, outlaws, slavers, and warring tribes.
Jaimie-Lee
Private thought and public consequence, intimacy and systems, confession and performance – they work where things are not supposed to touch. A Los Angeles–based writer, director, producer, and experimental storyteller, their work moves through original human drama into constructed worlds – digital, historical, psychological – where identity fractures and behavior reveals itself under sustained pressure.
An award-winning playwright whose work has been performed around the globe, they are an intentional boundary crosser by design. Their projects frequently construct closed environments meant to be stressed, breached, and inhabited. With roots in standup comedy, their storytelling carries an unorthodox rhythm – timing, escalation, and silence used as tools to destabilize as much as propel. A compulsive world-builder and risk-taker, they have founded two theatre companies, directed more than a dozen plays, and toured long-form dramatic improv nationwide.
That edge is grounded in deep industry fluency. Their background includes serving as a Writer’s Assistant to Michael Mann, a TV Development Executive, and an ICM Partners Coordinator. This dual perspective informs a practice attentive to both narrative architecture and operational reality – how stories are shaped, tested, compromised, and delivered.
Running through the work is a long-form, epistolary impulse – voice-driven, recursive, and intimate – treating confession as structure rather than release. They are drawn to collaborators and projects willing to operate at that fault line, where formal control meets instability, and where story, performance, and production are forced to face themselves in front of everybody.