UMA
UNREAL MATERIAL ANOMALOUS
When his daughter is stricken by a forbidden virus, a visionary who builds virtual worlds defies a secret cabal to find a cure—only to collide with Uma, an anomaly from the simulations whose existence could unravel reality as an alien fleet nears Earth.
DRAMA SERIES
ELEVATED SCI-FI
THRILLER
ACTION
FAMILY
ACID @ Sage
and The RANSOMWARE EARTH
After becoming host to an alien anti-malware, a grieving tech entrepreneur must outwit body-snatching crimeware and ruthless corporations before Earth is ransomed to the creator of StarNet—the intergalactic web linking advanced civilizations.
DRAMA SERIES
ELEVATED SCI-FI
THRILLER
ACTION
TWO SHADOWS
When victory means fighting injustice in a world on the brink of civil war, an identity-fluid Comanche and an eloquent sharpshooter face a brutal storm of Rangers, outlaws, slavers, and warring tribes.
DRAMA
Western
THRILLER
ACTION
SERIES
I tell stories that sit at the crossroads of original human drama, virtual worlds, and the realms between the shadow and the wall. Based in Los Angeles, I am a writer, director, producer, and experimental storyteller working across TV, film, and theatre.
My work spans genres—from the tech-thriller stakes of Acid@Sage and the Ransomware Earth to the revisionist history of my Western pilot, Two Shadows. I lean on my background in standup comedy to bring a pulse to even my darkest narratives. A natural world-builder and risk-taker, I have founded two theater companies, directed a dozen plays, and toured long-form dramatic improv nationwide.
My brand of “weird” is backed by high-level industry rigor. With experience ranging from Writer’s Assistant to Michael Mann to TV Development Executive and ICM Partners Coordinator, I approach every project with a dual creative and analytical mind. I understand the architecture of storytelling and how to “surf the feel”—moving seamlessly from the first glimmer of an idea to the complex logistics of production.
I love projects and teams where I can blend the discipline of a storyteller, the insight of a narrative-development executive, and the collaborative leadership of an improv-trained director.